This wasn’t great news for Sam Hamm, the screenwriter of the original, who took a preliminary stab at Returns’ script with a story that showed a lot more loyalty to Batman and the comics’ version of Catwoman and Penguin. He and screenwriter Daniel Waters (with Wesley Strick on punch-ups and doctoring) obviously feel unshackled to everything the first film set up. No return to the normīurton distances Batman Returns from its predecessor so often that it becomes a motif. In his hands, Batman Returns evolved into perhaps the most anti-franchise franchise film of all time, a rebuttal to the idea that giant superhero series and other films of their scale need to follow a fan-friendly formula for expansion.
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With Batman Returns, he was given the license to do even more of that with a character known around the world.īut can Batman Returns even be called a sequel to Burton’s Batman? Burton certainly operated under the idea that he wanted nothing to do with the original. They reveal the playfully rebellious spirit of a creator who identifies with the lonely freaks and obsessed outcasts he puts on screen.
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He only returned for a sequel after he was guaranteed more creative freedom (“ What if the second movie is really just a Tim Burton movie?” Warner execs allegedly asked him.) Burton’s best films, especially early ones like Beetlejuice and Edward Scissorhands, combine fairy-tale logic with satire and gruesomeness. His disappointment over Warner Bros’ control of the film, complete with behind-the-scenes drama about the decisions made behind his back, threatened to swallow any passion he had for the Dark Knight.īurton initially didn’t want to revisit Gotham City. He found the movie “ boring,” a far cry from his passionate, disheveled embrace of his other films. Script elements like these, with blunt, popcorn-y plot lines, led Tim Burton to all but disown Batman following the film’s release. Now she knows his secret and we can move on! Glad to get that out of the way! It’s the kind of puzzling narrative choice that’s meant to streamline a film’s emotional arc, even if it makes no sense.
In the 1989 Batman, Alfred reveals Batman’s true identity and secret hideout to Vicki Vale (Kim Basinger), all so Bruce can finally get a second date. ‘Oh hi, Vick, come on in.’” This bit of dialogue between Bruce Wayne (Michael Keaton) and Alfred Pennyworth (Michael Gough) in 1992’s Batman Returns pokes fun at one of the most infamous plot points in the franchise’s previous movie. “Who let Vicki Vale into the Batcave? I’m sitting there working and I turn around, there she is.
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